FAVOURITE GEMSTONE: My favourite stone is an opal, as every piece is different, and it adds to the uniqueness of a custom design. There’s nothing better than seeing the fire in a high-quality opal! FAVOURITE METAL: Platinum is definitely my favourite metal because of its malleability, high melting point and ability to be easily fused. I also appreciate the durability, colour and added weight that it brings to a high-quality design. FAVOURITE TOOL: Meiji EMZ-5 microscope. Who doesn’t love seeing intricate components under high magnification? BEST NEW TOOL DISCOVERY: I do love my laser welder. BEST PART OF THE JOB: The entire creation process from start to finish: meeting with customers, creating a unique design, hand-making a piece and seeing the customer’s reaction when they open the box. I feel privileged to be able to do so. WORST PART OF THE JOB: Waiting for a piece of jewellery in the pickle. BEST TIP FROM A JEWELLER: During my apprenticeship, my boss instilled a belief in me to trust in my expertise and strive to build my problem-solving ability. When making a piece, before my boss would answer a question, I was asked what I thought. This lesson is important for custom handmade designs, as you are constantly problem solving. This one lesson has not only greatly shaped the way I run my business but is also one of the greatest life lessons I’ve learnt to date! BEST TIP TO A JEWELLER: Work hard to keep hand-manufacturing skills alive. A willingness to work together and cherish these skills will go a long way to building the industry and culture within Australia. This can only benefit those passionate about the trade and its future. BIGGEST HEALTH CONCERN ON THE BENCH: Protecting my vision would be number one – I need to be able to see the finer points of a piece. But anything I can do health and safety wise is important. LOVE JEWELLERY BECAUSE: It has a deep but varied meaning to so many people. A custom piece is a creative outlet for both the jeweller and the client. If made well it can be passed down through generations as a representation of the past and a historical artefact. |